Vlad Tepes Dracula: King Of The Monsters
Vlad Tepes Dracula: King Of The Monsters
Painting \ Figure | 08/12/06 @127 |
Juro |
critiques (27) |
views (1370)
Do not copy, modify, distribute or sell the whole or parts of the image above without permission of the creator. More.
Description
Vlad the imapler was a Christian knight from a group called 'the order of the Dragon' who protected his land from invading Turkish forces. Brutally impaling his enemies on long pikes, he was eventually victorious in battle. The vengeful Turks sent word to Vlad's beloved wife who believing the news of his death, flung herself from the castle.The returning Vlad was so enraged by the news of his wife's death that he denouced the very God who's honour he fought to protect. Thus this turned him into a creature that walks but is dead.
Forever searching for his lost wife, Dracula has the power of 100 men and eternal life, he can control animals and change his apearence. Dracula needs to feed on the blood of the living and is cursed to forever walk in the shadows. Souless and merciless, he is truely the king of the classical monsters.
I designed this from the ground up with no references including the frame and armour. I did this because I wanted to create my own look for a Dracula portrait.
Please check the details as they do not show on this version very well. Thanks for looking!
Vote statisticsRecent: 0 votes, 0 pointsTotal: 24 votes, 169 points |
Cast your voteYou have to be logged in to voteVoting? Read the faq |
OptionsNone |
Comments (27)
Comment
To write a comment you need to be logged in
If you're not a registered member, click here to sign up.Reviews (1) beta
Review this artwork
01/01/70 @692 |
Concept:Strong |
Technical Skill:Strong |
Impact/impression:Strong |
Pros:n/a
Cons:n/a
Overall opinion/feedback:I like the feel of the image – there are a few areas where the perspective seems slightly distorted… the point at which the ruff curves round, the left shoulder, and the circular decals… but these seem stylistic and appropriate within the context of the image (to what extent they are intentional is another matter
At the same time that the composition harks back to a former style though, it also feels very contemporary – the features of his face look like a living metal sculpture. I like the chiselled features and the heavy black shadowing; to me they define much of the power of the image. I usually find red eyes to look somewhat contrived, but they feel quite natural here – as does the angular earlobe. The only thing I’m not sure about is the frame. Because it has been painted on it makes the image look more like an illustration (as opposed to a framed painting)… though that is perhaps more of an observation than a ‘crit’ as such… part of the problem I feel is that the GfxBlue background (which seems to be bothering me a lot lately) is imposing itself on the image.. I think I’d like to see it on its own neutral background - I can see what you were looking to achieve here, but for me the image has sharper highlights if you block the Gfx background from your view-line. Also I feel the frame would work better if it were less perfect – it is too neatly duplicated, a few imperfections (cracked border etc), or even deviations in the design would help there… and maybe some shading to make the frame stand proud of the image too. Nice variation of textures – I particularly like the bronzed section in his breast plate. The touch of gold on the central medallion is perfectly balanced to lift a little colour into the image. I’m not sure how or why that works but without it the image loses a lot of its intensity. Overall I think this is an exceptional piece – and refreshing to see someone consciously developing an original stylistic concept. |
|||
Write a review
To write a review you need to be logged in
If you're not a registered member, click here to sign up.Search the site
Found a typo? Report it!
Copyright © 2000-2008 All rights reserved
Read the Terms of use and Privacy Statement.
This site is a property of Brothers in art For more information and support, contact .
Copyright © 2000-2008 All rights reserved
This site is a property of Brothers in art For more information and support, contact .



08/12/06 @129
This 'flat head on look' was very favourable of the time.
Thanks again for taking the time to see my work!
08/12/06 @136
I do like it though and can see the influence in this of the portraits listed in the link. I really like the colours used too. The medalion looks great by the way, nice effect on the jewel.
08/12/06 @140
08/12/06 @148
08/12/06 @209
Plus, I feel there should be more elaborate designs. Those images you linked of Queen Elizabeth were far more detailed and elaborate in terms of dress.
You're on a really good road with the approaching this style, and I'm actually glad to see an idea like this being nodded at, but really take it that extra mile, make it work. Give us that feel, and don't be distracted by what other painters are doing.
I wouldn't imagine Dracula to be actually scowling in his self-portrait, nor would an artist of that time actually paint that in. I think it should feel menacing without looking menacing, you know? Give us that touch of fear, that everything on the surface is normal, but underneath there is something amiss that pushes just the tiniest tinge of discomfort.
08/12/06 @360
08/12/06 @594
@
08/12/06 @656
I like the idea of the old Fashion portrait.
08/12/06 @681
As mentioned, the shadows are too dark for my taste,
but could be my monitor
really nice armour texture, but the overall impression of the suit seems a tiny bit flat.
The curtains are too shiny as they are made of metal as well.
Now I really dig the border, great details in there
and the overall look and presentation
+ 9
08/12/06 @824
08/12/06 @932
Thank you Traff, I really enjoyed reading that review. It is always interesting to see parts of a painting through some 'fresh' eyes. I have stared at this for such a long time it becomes almost 'invisible'
That is the great thing about art communities for me: a fresh view where I can see my own merits and mistakes alike.
08/12/06 @938
You've got a good colour scheme going with some inventive and original elements and then you go and do that with the lighting. All those sharp bright outlines serve to do is bring the shadowed areas back into the foreground and make the whole thing flatter than a flapjack. It's virtually impossible for a curving non-transparent material (like metal) to be that strongly and evenly back-lit. The same goes for the left side of his face (our right).
I do like the form the armour takes; you've done a good job there without reference. However, you still should have referenced how light falls on metal and tried to apply it to your image.
I like the stern look on his face and the palour of his skin although it's a bit monochrome and therefore appears metallic. I would expect there to be more shadow on the ruffles of his collar, and you could have added a touch of reflected light onto his chin to avoid the cut & pasted look (where's Arenhaus and his compartmentalised colour recently?). The reflection on his right shoulder and arm (our left) appears too extreme, making it look like his arm ends where the light and dark meet.
The one part of his armour that is 100% is the brass bit - that looks excellent.
The curtains are a nice touch too, although the bright highlight top right tends to make them look a little organic. Don't think you need to have a full range of contrast on every object.
Overall I do like it, but please please stop LTEOT
08/12/06 @943
+8/10
08/12/06 @943
Thank you Diane!
08/13/06 @978
08/13/06 @994
Thanks for taking an interest in my stuff
08/13/06 @026
but you have used different perspectives on the face and armour.
and the skin fold looks a bit too hard (just my opinion).
all in all, well done.
08/13/06 @042
Thanks for looking!
08/13/06 @932
08/14/06 @147
08/15/06 @753
Like I already told you I am loving this topic very much!
I do pretty much like how you did the face - very interesting to see a vampire that is black compare to the usual white ones.
I am also in love with the curtains and how you did the lightning on the whole piece.
The armour could use a bit more wotrk, though
08/15/06 @824
08/15/06 @844
Personally this picture reminds me a bit of Castlevania, even though that wasn't what I was thinking of when I planned the work.
08/16/06 @013
08/18/06 @503
I keep looking at this whilst covering up those deep frown lines and to me it works much better. Dracula was more than a snarling monster, as your description indicates he was a man who lost his soul through his deep, abiding love for his wife...there is sadness there as well as anger. You've caught the hint of sadness in his eyes quite nicely and his stern mouth gives us the anger...but those frown lines just overpower it all...turning him into just another snarling bad-ass. You might want to consider playing around with that brow some more and bringing out the more subtle elements of his character.
Nice job though and a very worthy addition to the Dracula pantheon.
08/18/06 @556
I did try it without and his face looked rather bland for some reason...but I understand and really apreciate your input Dave, thanks.
09/05/06 @913