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Vlad Tepes Dracula: King Of The Monsters

Vlad Tepes Dracula: King Of The Monsters

Painting Painting \ Figure | 08/12/06 @127 | Juro | Comments critiques (27) | Views views (1370)


Vlad Tepes Dracula: King Of The Monsters
Do not copy, modify, distribute or sell the whole or parts of the image above without permission of the creator. More.
 

Description

Vlad the imapler was a Christian knight from a group called 'the order of the Dragon' who protected his land from invading Turkish forces. Brutally impaling his enemies on long pikes, he was eventually victorious in battle. The vengeful Turks sent word to Vlad's beloved wife who believing the news of his death, flung herself from the castle.

The returning Vlad was so enraged by the news of his wife's death that he denouced the very God who's honour he fought to protect. Thus this turned him into a creature that walks but is dead.

Forever searching for his lost wife, Dracula has the power of 100 men and eternal life, he can control animals and change his apearence. Dracula needs to feed on the blood of the living and is cursed to forever walk in the shadows. Souless and merciless, he is truely the king of the classical monsters.

I designed this from the ground up with no references including the frame and armour. I did this because I wanted to create my own look for a Dracula portrait.

Please check the details as they do not show on this version very well. Thanks for looking!
 
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Comments (27)

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Member comments
Avatar Juro

 08/12/06 @129

One more note, the look I was going for was an old fasioned portrait style, please look here for examples: http://courses.essex.ac.uk/lt/lt361/images/Elizabeth%20portraits/Images_Elizabeth.htm

This 'flat head on look' was very favourable of the time.

Thanks again for taking the time to see my work!
 
Avatar Andy--Jones

 08/12/06 @136

Looks good. I like the curtains and the texture of his armour although I am having a bit of a struggle with his left shoulder as I dont think the perspective of it is quite right, just seems to want to go back a bit further to me. Its weird cos its not blatant but there is something there that I cant work out. Also I would have made his face paler but that is just a preference thing.

I do like it though and can see the influence in this of the portraits listed in the link. I really like the colours used too. The medalion looks great by the way, nice effect on the jewel.
 
Avatar JordanRoots

 08/12/06 @140

cool work!
 
Avatar Juro

 08/12/06 @148

Thanks guys, you may notice my signature hidden somewhere in the design of the frame....
 
einschlafen

 08/12/06 @209

My huge gripe about this is the shadows. If you're going to take it so far as to get the posturing and look right, then the shadows are way too dark. It would seem almost silly to pay an artist to paint a portrait that was half solid shadow!

Plus, I feel there should be more elaborate designs. Those images you linked of Queen Elizabeth were far more detailed and elaborate in terms of dress.

You're on a really good road with the approaching this style, and I'm actually glad to see an idea like this being nodded at, but really take it that extra mile, make it work. Give us that feel, and don't be distracted by what other painters are doing.

I wouldn't imagine Dracula to be actually scowling in his self-portrait, nor would an artist of that time actually paint that in. I think it should feel menacing without looking menacing, you know? Give us that touch of fear, that everything on the surface is normal, but underneath there is something amiss that pushes just the tiniest tinge of discomfort.
 
Avatar shak

 08/12/06 @360

Wonderful concept and sense of style. Keep practicing coz you have it! :)
 
Avatar Juro

 08/12/06 @594

@  einschlafen The shadows possibly aren't as dark as you are seeing them. I painted it on a fully corlaborated mac using a special device which constanly updates and corrects the colour/contrast corlaborations. It even looks a bit dark on my pc monitor. I like your suggestions for the other points you made, I guess we all have diferent visions on how we would see such a popular character. Thanks for the crit (thumbup)

@  shak Thanks for looking
 
Avatar cupcake

 08/12/06 @656

Very Good,
I like the idea of the old Fashion portrait.
:)
 
Avatar Wallace

 08/12/06 @681

Nice work Glenn

As mentioned, the shadows are too dark for my taste,
but could be my monitor:p
really nice armour texture, but the overall impression of the suit seems a tiny bit flat.
The curtains are too shiny as they are made of metal as well.

Now I really dig the border, great details in there
and the overall look and presentation

+ 9
 
Avatar Traff

 08/12/06 @824

Posted a Review... :)
 
Avatar Juro

 08/12/06 @932

Thank you Vincent and cupcake (thumbup)

Thank you Traff, I really enjoyed reading that review. It is always interesting to see parts of a painting through some 'fresh' eyes. I have stared at this for such a long time it becomes almost 'invisible'

That is the great thing about art communities for me: a fresh view where I can see my own merits and mistakes alike.
 
Avatar BaronImpossible

 08/12/06 @938

And Juro returns supremely victorious from a long mission to Light The Edges Of Things. "Behold", he intones, "I have lit the edges of everything I have thus far encountered and consequently I decree myself Master of Cardboard Figures and Alarming Digital Flatness!"

You've got a good colour scheme going with some inventive and original elements and then you go and do that with the lighting. All those sharp bright outlines serve to do is bring the shadowed areas back into the foreground and make the whole thing flatter than a flapjack. It's virtually impossible for a curving non-transparent material (like metal) to be that strongly and evenly back-lit. The same goes for the left side of his face (our right).

I do like the form the armour takes; you've done a good job there without reference. However, you still should have referenced how light falls on metal and tried to apply it to your image.

I like the stern look on his face and the palour of his skin although it's a bit monochrome and therefore appears metallic. I would expect there to be more shadow on the ruffles of his collar, and you could have added a touch of reflected light onto his chin to avoid the cut & pasted look (where's Arenhaus and his compartmentalised colour recently?). The reflection on his right shoulder and arm (our left) appears too extreme, making it look like his arm ends where the light and dark meet.

The one part of his armour that is 100% is the brass bit - that looks excellent.

The curtains are a nice touch too, although the bright highlight top right tends to make them look a little organic. Don't think you need to have a full range of contrast on every object.

Overall I do like it, but please please stop LTEOT :) +7/10
 
Avatar Diane

 08/12/06 @943

Ditto BaronImpossible here! Very nice work though, now I understand better what you wanted to achieve :)
+8/10
 
Avatar Juro

 08/12/06 @943

It is (the backlight) a tempation I fall foul of, thanks for the review Simon, much apreciated.


Thank you Diane! :)
 
einschlafen

 08/13/06 @978

Sorry, let me say I was being a bit elaborate. My monitor isn't out of calibration, I was just trying to point out the difference between what you're showing us and the linked images of Elizabeth I. It's interesting how you've gotten to this point, that you started there, but then you still divulged that idea of this "hidden in shadow" figure... I very much like the idea of seeing a classic portrait taken into consideration, but I'm more curious to see something that really went that far, rather than just stopping at the posturing. The style, the amount of light, the warmth of the colors would all add to this piece. To make it feel real, if that's what you wanted, to make it go so far as to convince us that this was a real portrait painted hundreds of years ago, the colors and amount of shadow you used seems a bit too much. I applaud the skill, but I really just want to question why you used that particular angle of the body and stopped there when you could have really captured the imagination by taking the work that far.
 
Avatar Juro

 08/13/06 @994

Wow, thanks for coming back! most people don't even comment let alone comment twice! I guess I wanted him to look a bit more shadow/mysterious than the lighter styles.

Thanks for taking an interest in my stuff :) (thumbup)
 
Avatar lolita

 08/13/06 @026

very good detail work!
but you have used different perspectives on the face and armour. :p
and the skin fold looks a bit too hard (just my opinion).
all in all, well done.
 
Avatar Juro

 08/13/06 @042

Thanks lolita, the head could conceivably turn independant of the body by about 150 degrees. If you look at the old portraits they used this style quite a bit.

Thanks for looking! :)
 
Avatar Daykan

 08/13/06 @932

amazing work! the tone of the skin and red eyes give a sensation of frightful dark, great details. wonderful work!
 
Avatar acida

 08/14/06 @147

he's scary
 
Avatar Azurelle

 08/15/06 @753

So there finally is your version of Dracula.
Like I already told you I am loving this topic very much!
I do pretty much like how you did the face - very interesting to see a vampire that is black compare to the usual white ones.
I am also in love with the curtains and how you did the lightning on the whole piece.
The armour could use a bit more wotrk, though ;)
 
Avatar seeThrou

 08/15/06 @824

you spent a lot of time on this with all the little details, its great to be able to follow your work through the wip you posted, I have to admit you pulled it off, my fave is the way you decided to frame the image for the final touch. +10 :)
 
Avatar Juro

 08/15/06 @844

Thanks everyone.

Personally this picture reminds me a bit of Castlevania, even though that wasn't what I was thinking of when I planned the work.
 
Avatar EideticImage

 08/16/06 @013

Im not a painting expert by any means , so I won't venture into tyring to ctique something I don't know anything about.Suffice to say that nothing jumps out at me and offends my eyes , so that's a good thing Oh and I love the frame to pieces :)
 
Avatar Kaduflyer

 08/18/06 @503

I'm not going to mention technique or details...I think everyone else has covered them more than adequately.

I keep looking at this whilst covering up those deep frown lines and to me it works much better. Dracula was more than a snarling monster, as your description indicates he was a man who lost his soul through his deep, abiding love for his wife...there is sadness there as well as anger. You've caught the hint of sadness in his eyes quite nicely and his stern mouth gives us the anger...but those frown lines just overpower it all...turning him into just another snarling bad-ass. You might want to consider playing around with that brow some more and bringing out the more subtle elements of his character.

Nice job though and a very worthy addition to the Dracula pantheon.
:)
 
Avatar Juro

 08/18/06 @556

Yes, I totally agree with the lines, a few people have mentioned them and I agree with most of the points.

I did try it without and his face looked rather bland for some reason...but I understand and really apreciate your input Dave, thanks. (thumbup)
 
Avatar fabioc

 09/05/06 @913

Cool textures! Very frightful look too, amazing work :)
 
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Reviews (1) beta

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Avatar Traff

 01/01/70 @692

Concept:

Strong

Technical Skill:

Strong

Impact/impression:

Strong
Pros:
n/a
Cons:
n/a
Overall opinion/feedback:
I like the feel of the image – there are a few areas where the perspective seems slightly distorted… the point at which the ruff curves round, the left shoulder, and the circular decals… but these seem stylistic and appropriate within the context of the image (to what extent they are intentional is another matter :) ).

At the same time that the composition harks back to a former style though, it also feels very contemporary – the features of his face look like a living metal sculpture. I like the chiselled features and the heavy black shadowing; to me they define much of the power of the image. I usually find red eyes to look somewhat contrived, but they feel quite natural here – as does the angular earlobe.

The only thing I’m not sure about is the frame. Because it has been painted on it makes the image look more like an illustration (as opposed to a framed painting)… though that is perhaps more of an observation than a ‘crit’ as such… part of the problem I feel is that the GfxBlue background (which seems to be bothering me a lot lately) is imposing itself on the image.. I think I’d like to see it on its own neutral background - I can see what you were looking to achieve here, but for me the image has sharper highlights if you block the Gfx background from your view-line. Also I feel the frame would work better if it were less perfect – it is too neatly duplicated, a few imperfections (cracked border etc), or even deviations in the design would help there… and maybe some shading to make the frame stand proud of the image too.

Nice variation of textures – I particularly like the bronzed section in his breast plate. The touch of gold on the central medallion is perfectly balanced to lift a little colour into the image. I’m not sure how or why that works but without it the image loses a lot of its intensity.

Overall I think this is an exceptional piece – and refreshing to see someone consciously developing an original stylistic concept.
 
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GFXuser name:
   Juro
Full Name:
  Glenn Jackson
Gender:
  Male
Birthdate:
  04/18/1977 (31)
Country:
  United Kingdom
Member since:
  10/01/2003

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